Athanasius Fet"Whisper, timid breath..."
History reference. The poem was written and published in 1850 in the magazine Moskvityanin "(" Whisper of the Heart "). This work became a symbol of Fet's poetry. The "lack of verbality" of the verse, which managed to convey the excitement of a love date through the subtlest overflows of feelings of lovers, was surprising.
Fet is still serving, but his service is burdensome, he is extremely dissatisfied with his social position but his fame is growing. There was true love in the life of the poet, but he could not make his beloved happy. He himself was poor, and she (Maria Lazich) was a dowry. Soon the girl died tragically. The image of his beloved girl did not leave Fet until the end of his life.The night shone.moon the garden was full. lay Rays at our feet in the living room without lights. The piano was all open, and the strings in it were trembling, as well as hearts we have your song.
You sang before dawn, exhausted in tears, That you are alone - love that no love different, and so wanted live to, sound without dropping you be in love , hug and cry upon you.
And many years have passed tedious and boring And now, in the silence of the night, I hear your voice again, And it blows, as then, in sighs these sonorous , That you are alone - all a life that you are alone love.
That there are no offenses fate and heart burning flour , A life there is no end, and there is no other goal, as soon as believe in sobbing sounds, You be in love , hug and cry upon you!
The analysis of Fet's "Whisper, timid breathing" well illustrates the features of his poetry. It should be immediately noted that there may be different variants titles. They are associated with spelling changes (“Whisper, timid breathing”, “Whisper, timid breathing”), others with editing the poem by I.S. Turgenev, published in the second issue of Moskvityanin in 1850. Considering this option more euphonious, he replaced the first line:
"Whisper of the heart, breath of the mouth..."
And also the eighth and ninth:
"The pale brilliance and purple of a rose,
Speech without speaking
The lifetime collections of the poet contained exactly this version (publications of 1856, 1863). In general, Turgenev often corrected Fet's poems, which did not always have a good effect on them, since the poet still had his own style, which Ivan Sergeevich did not always understand and accept.
Afanasy Afanasyevich Fet is an ageless Russian poet whose poetry is considered impressionistic. Until old age, he retained sensitivity to nature, the freshness of youthful feelings and experiences. His poetry was called impressionistic because of the musicality of his poems (many of them were set to music and became famous romances), the abundance of colors, and expressiveness. A.A. Fet - skillfully expressed the excitement of the soul, it is no coincidence with L.N. Tolstoy they were close friends. Paintings, portraits of women in the poetry of Afanasy Afanasyevich are fragmentary, vague, he names individual details from which the landscape, the female image, is created. The canvases of the Impressionists make the same impression: to express feelings, impressions is their main task.
"Whisper, timid breath" - famous poem poet, which caused a lot of responses, and, one might say, became the hallmark of A.A. Feta. Speaking about the history of the creation of this miniature, we should recall the youthful love of non-commissioned officer Athanasius, Maria Lazich. In spite of mutual feelings, the engagement could not take place due to the financial difficulties of young people, so Fet left to continue his service, and Maria died tragically shortly after separation. Later, Afanasy Afanasyevich got rich, got married, but did not forget Lazich in his poems until old age. "Whisper, timid breath ..." he also dedicated to her.
Simplicity, in some ways even banality of form and content, caused a number of negative reviews, reproaches and parodies. The parodists were N.A. Dobrolyubov and D.D. Minaev. Fet was accused of choosing such a “greasy” topic when revolutionary and reformist sentiments were hovering in society. It should be noted that his poetry is classified as "pure art" (in Western Europe this movement was also called "art for art's sake"), which did not seek to influence social life or describe its difficulties and problems, representatives of this direction preferred to create for the sake of obtaining aesthetic pleasure. This fact largely justifies the personal choice of the poet.
They were also accused of technical ineptitude, referring such "poetry" to the category of rhymes of young seminarians. However, all these attacks are unfair and even illiterate. Fet had a significant influence on poets Silver Age, sixties and consider him devoid of talent, and poetry - technically weak, it would be simply stupid.
Starting the analysis of the poem "Whisper, timid breathing ...", one should point to main feature of this poem - speechlessness, which was also pointed out by L.N. Tolstoy. Despite this, we observe dynamics and gradation in the change in the paintings depicted: first, we have a languid evening with a constrained “whisper”, “timid breathing”, after nightfall, the beloved becomes braver and the lyrical hero observes “A number of magical changes // Dear face”, and already before dawn comes the time for "kisses" and "tears" because of the impending parting. In addition, each “event” that occurred during a date has its own parallel, reflected in nature: whispering and breathing correspond to the “trill of a nightingale” and “swaying of a stream”; changes in facial expressions and expressions of the girl’s “sweet face” correspond to “shadows” changing with the light; Passion at its peak is released like a dawn, described with the help of a clever metaphor: a purple rose piercing the darkness.
The poem clearly traces the idea of merging with the environment, as well as an indication of the subtle relationship between the inner experiences of lovers and natural phenomena.
Features of "Whisper, timid breath ..." are also manifested in the beauty and power of expressiveness of the language of the poem. We observe here wonderfully chosen epithets: “timid” breathing suggests that these meetings are infrequent, secret and exciting for both, the “sleepy” stream, “night” light and shadows subtly indicate the late time of the day, and the “magic” changes in the face reflect the change moods. Comparisons of the brilliance of water with silver, and the dawn with the purple of roses and amber gracefully draw in the imagination the right colors. The poet also uses the melody of words: assonance (repeating "o", "a") and alliteration ("p", "l") make the lines melodious, drawn out, smooth:
Shep O T, R O bq O e breath a nee.
T R
ate with O l O vy I am,
Se R
ebr O and to O l
s a nee
WITH O many R
learn I am
The different lengths of the lines create the rhythm of intermittent intimate conversation.
It is easy to see that the poem "Whisper, timid breath ..." is rich not only in artistic means (parallelisms, metaphors, epithets, comparisons, sound writing (assonance, alliteration)), but also contains the idea of the unity of man with nature, which the author expresses in more than one of his poem, educating in people attention and sensitivity to the world around us.
A. Fet is known not only for his poems about the unity of man and nature, but also love lyrics. But among the rest, one should especially highlight "Whisper, timid breathing", an analysis of which is presented below. Literary critics consider it "Fetov's", because it is written in a special manner, peculiar only to Afanasy Afanasyevich, and reveals all his poetic talent.
In the analysis of "Whisper, timid breath" one can consider the features of the poet's work. In early poems, the poet admired female beauty, further central location occupied landscape lyrics. All Fet's work is permeated with the spirit of romanticism, although the poet himself did not consider himself an adherent of this direction.
At the heart of most of the poems was admiration for nature. In some landscape lyrics are intertwined with the theme of love. This is not surprising, because, according to Fet, man was inseparable from nature. In the analysis of "Whisper, Timid Breath" it should be emphasized that this particular poem is an excellent example of how landscape and love lyrics are surprisingly harmoniously combined.
In this verse, descriptions of the surrounding world and sensory experiences alternate. And this creates a whole lyrical picture. The lines reflect the intimate feelings that can be between lovers. And the changing pictures of night and dawn complement the experiences of the lyrical hero. And all this emphasizes the poet's opinion that a person and the world should be in harmony.
Also one of the points of analysis of "Whisper, timid breath" is the composition of the poem. Grammatically, it is one sentence divided into three stanzas. But it seems to the reader as a single component due to the integrity of the composition, which has a beginning, a climax and an end.
It is written in iambic tetrameter. The type of rhyming is cross, which gives the poem a leisurely and measured rhythm.
The basis of the poem is a comparison of two plans - general and particular. Against the backdrop of nature, the love story of two people is shown. changing natural phenomena complement the love lyrical component.
In the analysis of "Whisper, timid breath" by Athanasius Fet, it is necessary to consider in detail the image of nature. In this poem, the world around us is shown in harmony with a person, or rather, with lovers. In the first stanza, a nightingale is shown, whose beautiful trills sound over a sleepy stream. This can be compared to the fact that love appears in a person’s life like a beautiful nightingale song that awakens him.
In the second stanza, no natural phenomena are depicted. It is only said that all night shadows cause changes on the face of a cute hero. And in the third stanza, a dawn is drawn in all colors, which appears like a haze, which then flares up brighter and brighter. It's like the feelings of lovers are getting stronger and illuminate human life.
In the analysis of "Whispers, timid breathing, nightingale trills" it is necessary to consider and love line in a poem. The poet does not name names, there are not even any pronouns. But the reader understands that we are talking about secret meetings of two lovers, thanks to the fact that the hero calls the face cute.
Why are the meetings secret? The heroes meet at night, and with the onset of dawn they are forced to say goodbye. At the very beginning of the meeting between them, one feels awkwardness, timidity, which happens with pure and sincere feelings.
And with the sunrise they have to part. But these feelings only flare up more strongly, like the dawn. This poem shows how man and nature can exist in harmony.
In a brief analysis of "Whisper, timid breath" one can write that color epithets play a big role in giving expressiveness to the work. At the very beginning, the poet uses muted colors to add more mystery to the meetings, to show the emergence of feelings.
Then there is a gradual increase in expression. The colors become brighter, as the lovers become bolder in the manifestations of feelings. This color contrast shows the development of the narrative, which does not appear grammatically in any way.
The poet creates not only a visual, but also a sound picture. The epithets of color are complemented by sound design. The first stanza conveys nightingale trills, in the next stanza a feeling of absolute silence is created.
And again, the poet, thanks to the contrast, gives sound to the plot. But it is worth noting that all sounds organically complement the lyrical component of the poem.
Distinctive feature of this poem is that it lacks verbs. This simple form lines - a challenge to society, which at that time reacted negatively to such a "wordless" poem. Using only nouns gives a smooth measured rhythm.
But, despite the absence of verbs, each line is a complete action. At first glance, it may seem to the reader that there is no plot and development of actions in the poem. In fact, this is not so, the poet described his feelings. There are no portraits of lyrical heroes, the poet only indicates that the play of light and shadow is displayed on the sweet hero's face. There is a hidden action in nouns, there is a feeling of dynamism. This creates the development of the plot.
The poet also used other literary tropes. This is a large number of epithets, personifications and metaphors. Particularly distinguished by emotional coloring the last sentence. This is facilitated by both repetition and exclamation. The repetition of voiceless consonants makes the lines melodious. All of these means of expression add tenderness and lyricism to the poem.
In the analysis according to the plan of "Whisper, timid breathing" Fet should also talk about how the work was accepted by the public. Some poets and writers spoke ambiguously about him. The main reason is the peculiarity of writing, namely the absence of verbs.
Some felt that the poem had no plot, and said that the theme chosen by the poet was narrow and limited. They also complained about the lack of any events. There were jokes that if you read it from the end, then nothing will change. People behind the images of sensations did not see a gradual increase in expression. They failed to notice the harmony and integrity of the composition.
The work was also criticized for the fact that the poet did not give a specific subject description. And the reader had only to guess what it was about in this or that line. The phrases are written in a chopped style, some critics did not notice the smoothness and unhurried musicality of the poem.
But there is an opinion that this creation was accepted unfavorably by some poets and writers due to the fact that the poet touched on the topic of intimacy of feelings. And although this is not said directly, the reader can guess thanks to allusions. But from this, Fet's creation does not become less refined and elegant, does not lose a drop of its lyricism.
A. A. Fet in his work praised not only the beauty and grandeur of nature. But the poet also described feelings in his work. But for him, man and the world around him are one whole, which is reflected in this poem. This was a brief analysis of the "Whisper, timid breath" plan.
The poetry of A.A. Fet reflects the world of "flying moods". It lacks political, civic motives, and there are no acute social conflicts. The main themes are nature, love, art. In nature, the poet finds an echo of his feelings. He subtly feels the overflows and transitions of the states of nature. The love lyrics of A. Fet are light, calm, optimistic. Art, according to A. Fet, should not "intervene" in the affairs of the "poor world". Its purpose is to serve beauty, which is understood only by "initiates". The lyrics of A.A. Fet are very musical - many of his poems have become famous romances.
Critic Julius Aikhenvald in his article "Fet" spoke of A.A. Fet "... A poet of silence, a singer of the inaudible ... his poems move with an "air foot"; ... he has sounds, the quietest in our literature, and in general he is a whisper of Russian poetry ... his poems are covered with a thin veil, as it were ... Fet in general is a singer of the barely noticeable ... Fet is a sorcerer, a musician ... A great listener, overheard all the secrets of the world, and even "grass indistinct smell" ... There is no world in the end ... The only reality is the soul. The soul dreams of the universe. That means where ... all this airiness of Fet comes from. "
Analysis of the poem "Whisper, timid breathing ..."
Whisper, timid breath,
trill nightingale,
Silver and flutter
sleepy stream,
Night light, night shadows,
Shadows without end
A series of magical changes sweet face,
In smoky clouds purple roses,
reflection of amber,
And kisses, and tears,
And dawn, dawn!..
A. Fet's poem "Whisper, timid breathing ..." appeared in print in 1850, during a stormy romance with Maria Lazich. With this poem, the loud glory of Fet began.
The theme of the work, probably, is still nature, against which a specific plot develops: a meeting of lovers in a garden is described. In twelve lines, the author expresses a whole bunch of feelings, subtly conveys all the shades of experiences. From the colorful image of the picture nocturnal nature A. Fet makes a brilliant transition to "a series of magical changes in a sweet face", he does not depict a detailed development of relationships, but recreates only the most important points this great feeling.
The meeting begins long before dawn. The world is ruled by the owner of the spring moonlit nights, the nightingale. Gradually, everything is filled with new colors, the word "shadows" is used twice, and this enhances the impression of mystery, mystery. Further, the changes occur very rapidly: it is still night - "in the smoky clouds the purple of a rose", but already there is a "reflection of amber". The author uses metaphors that help to see the rapidly approaching dawn. In the last line - the triumph of the morning: "And dawn, dawn!", Which serves as an expression of the highest point of tension of human feelings and the most beautiful moment in the life of nature. The world of man is in merger with the world of nature!
Many epithets serve for a mysterious mood, expectation of something unknown: "timid", "sleepy", "night", "magic", "sweet", "smoky".
Syntactically, a poem is one compound sentence, consisting of nominal sentences. It is pronounced almost in one breath.
There are no verbs here, but this does not deprive the work of movement: actions are present in each stanza "whisper", "swaying", "a series of ... changes", "reflection", "kiss".
At the end of the poem is Exclamation point- this is the ecstasy of the lyrical hero with his feeling, delight. There is also an ellipsis, which indicates a possible continuation, the development of feelings. A.A. Fet very carefully, with hints, through natural images, initiates the reader into the great mystery of love.
The poem is life-affirming, it is full of freshness and aroma! From him breathes the morning coolness and becomes joyful in the soul!
Analysis of the poem by A.A. Fet “The night shone. The garden was full of moon"
The night shone. The garden was full of moonlight. lay Beams at our feet in a living room with no lights. The piano was all open, and the strings in it were trembling, Like our hearts for your song. You sang until dawn, exhausted in tears, That you are alone - love, that there is no other love, And so I wanted to live, so that, without dropping a sound, Love you, hug and cry over you. And many years have passed, languid and boring, And in the silence of the night I hear your voice again, And blows, as then, in these sonorous sighs, That you are alone - all life, that you are alone - love, That there are no insults of fate and hearts of burning flour, And life has no end, and there is no other goal, As soon as you believe in sobbing sounds, Love you, hug and cry over you! The poem was written in 1877. Refers to Fet's love lyrics and is dedicated to Tatyana Andreevna Bers, sister of Sofya Andreevna Tolstaya. The text of the work itself is not so much about the feeling of the poet, but rather about high human love. |
The poem "Whisper, timid breathing" was dictated to the author by love itself. Schoolchildren study it in the 10th grade. We invite you to learn more about the product by reading brief analysis"Whisper, timid breath!" according to plan.
History of creation- the poem was written in 1850, when the poet had tender feelings for M. Lazich.
Theme of the poem – love relationship, date in the night shadow.
Composition– The analyzed verse is conventionally divided into landscape sketches and descriptions of tenderness between lovers. A. Fet does not delimit these scenes, but closely intertwines them.
genre- elegy.
Poetic size - two- and four-foot trochee, cross rhyme ABAB.
Metaphors – "silver stream", "sleepy stream", "purple roses in smoky clouds, a reflection of amber".
epithets – "night light", "magical change", "pretty face", "smoky clouds".
The history of creation is connected with the poet's love for Maria Lazich. A. Fet met a girl in the summer of 1848, when he served on the border of the Kherson and Kiev provinces. The young man was often invited to balls. On one of them, he saw a tall, slender brunette with dark skin. Sympathy between young people arose at first sight, it soon grew into a serious relationship. Maria became for Fet not only kindred spirit but also an inspiration.
The poet was going to marry a girl, but because of material problems the lovers were forced to part. Shortly after parting, M. Lazich died. It is still unknown whether it was an accident or suicide. Until the end of his days, Fet regretted that he had not created a family with Lazich. Maria is the one to whom not only the analyzed poem is dedicated, the poet wrote lines to her until his death.
The work "Whisper, Timid Breath" was created in 1850, when the young people were still in a relationship. Maria died the same year.
In the center of the poem are the themes of love and love. They are traditional for the intimate lyrics of domestic and world literature. The declared theme is revealed not only with the help of descriptions of the internal state of the lovers, the poet intertwines them with elements of the landscape.
The lyrical hero practically does not manifest himself, but passionate and tender description love scene suggests that we have an ardent nature. In the first lines, A. Fet describes the enchanting sounds of love: “a whisper, a timid breath.” The conversation between two kindred spirits is complemented by "trills of the nightingale". The nightingale is a symbol of purity and love, so the author mentions this bird for a reason. The description of a sleepy stream, which rhythmically sways its waters, gives the description of languor and tenderness.
In the second stanza, the problem of love appears more expressively. The lyrical hero lets the reader get closer, allowing him to see how the "pretty face" is changing. In the third stanza, emotions grow even more, passion heats up between lovers. The poet talks about kisses mixed with tears. Why do they appear in front of happy lovers? Young people know that the dawn will soon rise and they will have to part, and for loving hearts, even a short separation seems like a painful eternity.
The composition of the work only at first glance seems simple. The poem is divided into only three quatrains. Nevertheless, in three quatrains the author managed to combine elements of landscape and love lyrics, in the content of the verse, two components can be conditionally distinguished.
The genre of the work is elegy, since it does not have a plot, but there are landscape sketches. The work also feels a slight sadness caused by the upcoming parting, which is typical for an elegy. Poetic size - two- and four-foot trochee. The text uses the cross rhyme ABAB, male and female rhymes.
The peculiarity of the analyzed poem is the absence of verbs. This technique allows you to slow down events, give them a taste of the night calmness of silence and love. Such "limitation" in the set of words does not prevent the author from creating original artistic means to reveal the theme and reproduce the feelings of lovers. Language tools in this verse are distinguished by simplicity, since they consist of at least two or three words.
In each stanza the poet weaves metaphor: “sleepy stream”, “shadows without end”, “purple of a rose in smoky clouds, a reflection of amber”. Tenderness and passion are transmitted through epithets: "magic changes", "sweet face", "smoky clouds". There are no comparisons in the text.
The intonation of the first two stanzas is smooth, only in the last couplet it grows, and the last line explodes with an exclamation. Such an intonation pattern harmoniously complements the content. Gives smoothness to the verse alliteration sonorant "m", "n", "p", "l". In the last stanza, the author uses several words with the consonant "r", which reflects the intensity of feelings between lovers.
